We need Afrofuturism; not as a box to put people in, but as a lens with which to change the way we imagine and actualize an inclusive future. A future where Black people are in control of their own destinies.
More About Afrofuturism:
Afrofuturism is not a sub-genre. For some, like Sun Ra, Afrofuturism (though the term was not coined until after Sun Ra passed away) is a form of escapism; a reprieve from violent systems of segregation and white supremacy. For others, Afrofuturism is a celebration of black innovation; filmmaker and author Ytasha Womack describes Afrofuturism as, “The intersection between black culture, technology, liberation, and the imagination, with some mysticism thrown in, too.” For some it is highly spiritual. Above all else, it is an ambitious vision of the future and mankind's place in it that is continually informed by black culture and history.
What kind of message is sent when mass audiences are presented with visions of the future that do not include people of color? Since Hollywood has historically excluded Black characters from leading roles in science fiction films, Black people have had to envision and ultimately create space for themselves above and beyond the Earth's atmosphere. In DUST’s original series, we celebrate a handful of those people, and encourage you to dive deeper into the Afrofuture.
Le Sony'r Ra (born Herman Poole Blount, May 22, 1914 – May 30, 1993), better known as Sun Ra, was an American jazz composer, bandleader, piano and synthesizer player, and poet known for his experimental music, "cosmic" philosophy, prolific output, and theatrical performances. For much of his career, Ra led "The Arkestra", an ensemble with an ever-changing name and flexible line-up.
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